Saturday, September 9, 2017

The River One


The River One from Ben Ruffell on Vimeo.



DSCF5832

This project was filmed to promote the new apartment building "The River One" designed by Richard Rogers from Rogers Stirk Harbour + Partners.

DSCF4332

I shot on Arri Alexa Mini's with Master Primes, and made extensive use of the Freefly MoVI Pro.

DSCF5833

Directed by Jem Chen, we shot over two days.

IMG_7758

I filmed the time lapses using my Fuji T2, a Canon 5D, and also some were shot on the Alexa Mini.

IMG_7764

We had access to a Ferrari for one of the scenes.

IMG_7748

I worked in closely with Shannon, my drone operator.

DSCF5800

It was a really fun shoot, with a great crew!





Wednesday, June 14, 2017

ASICS



Here is a really fun commercial that I was the DP for, filmed recently in Queenstown, New Zealand.

It was Directed by Myles Conti, and Produced by Conti Bros Films.

IMG_8252

I filmed it using two cameras. A Red Weapon 6K was mounted in the MoVI M15 on the tracking buggy.

IMG_8218

A Red Dragon 6K was kept in Production mode, so that I could move quickly between the set ups.

IMG_8162

Drone filming was performed by Queenstown based Overview using a DJI Inspire 2 filming in 5.2K RAW. The drone images cut in perfectly with the Red cameras.

It was a cold tough environment for the crew to work in, and even tougher on our athletes who had to run up the hill all day. A massive credit to them!

Sunday, June 4, 2017

Suzuki





Directed by Jem Chen.

DSCF3416

I filmed primarily with Arri Alexa cameras.

IMG_7010

Using an Alexa Mini as my main production camera, and an Alexa XT on the Scorpio Arm with Flight Head.

DSCF3285

I also used a Phantom Flex 4k at 1000fps for the super slow motion shots.

DSCF3178

Drone shots were handled by Shannon with his DJI Inspire 2 Kit.

DSCF3450

It was a terrific shoot. The entire crew was excellent to work with.

Monday, April 17, 2017

BMW X1



I shot this for BMW with Director Jem Chen.

DSCF7661

I shot on Arri Alexa, using two cameras. (One Alexa Mini for my rigs and as a production camera, and an Alexa XT on the Scorpio Arm).

DSC_0062

We also shot multiple cars for alternative releases globally.

DSCF7718

It was a great shoot with an excellent local crew.

Monday, January 9, 2017

Mitsubishi 'Triton'



I was lucky enough to work with Director Ryuhei Yokoyama again for Mitsubishi Motors.

DSC_0051

We filmed in Australia, and I travelled there with my camera equipment, along with my MoVI Grip and Drone Pilot Josh Dunn.

DSCF1123

We bought along our DJI Inspire 1 with X5R RAW Camera. Our company Overview has a CASA Part 101 Operators Certificate for flying in Australia.
It's a terrific drone, and because it is so quick to deploy, we were able to film additional material very efficiently.

DSC_0010

The line production was expertly handled by Kanta Yamaguchi from Green Tea Film and Television, and my local Brisbane based crew were excellent.

DSC_0064

Snakes, crocodiles, spiders, leaches and ticks are an added bonus when working in Australia!

Saturday, March 12, 2016

GMO 'Life is a Wonder'



Here is a fun job that we shot recently in the South Island of New Zealand for GMO.

DSC_0100

Japanese Actress Yui Aragaki was excellent to work with, and the commercial was Directed by Tsugihisa Tanaka.

DSC_0129

We had a great crew, and we managed to film some really nice images despite the rainy weather!


Monday, January 11, 2016

Mad Mike Conquers Highlands



I am very proud to have been the Cinematographer on this clip with Mad Mike Whiddett and his Rad Bul.

MH_151207_rad_bull_highlands-4925

Director Ryan Heron and myself had previously shot the Conquer the Crown clip, and it was great to work together with Mike again.

MH_151207_rad_bull_highlands-5216

We had one day to film the clip, and we could only drive the car on the track between 8am and 6pm, so we needed to be fully prepared.

MH_151207_rad_bull_highlands-7148

To achieve this tight schedule Ryan and I broke down the sections with the team and we shot only what we needed.

DSC_0007

I used several different cameras, and I kept the camera and grip teams busy by shooting one setup while they were prepping and rigging the next.

DSC_0010R

I am very happy that we managed to keep the quality high. It's a testament to the talented crew behind the scenes. The reaction to this film by the fans has been great!

IMG_7374

To see some more images there is a terrific Behind the Scenes video from Andy Deere and Heath Patterson.



Huge thanks to Miles Holden for the photos!